“I thought that dad had gone fishing!” – says the daughter of James
Donovan (Tom Hanks), primarily an Insurance lawyer, as she hears the news of
her father’s foreign trip making national headlines. Where was Donovan? Why was
he on the TV? Well, in an enthralling 2 hours, this movie recreates the Hanks-Spielberg magic once again. Set in 1950s-60s, the
movie keeps throwing back images from the duo’s well acclaimed “Catch me if you can”.
The Cold war has kept the world on its toes. With both US and USSR, fearing
actions and reactions, the movie captures an essential humane aspect of the
life of spies. Rudolf Abel (Mark Rylance) was
suspected of spying for Russians in America and put in American prison. To
ensure that he got a “fair trial”, the US appoints the initially hesitant
Donovan to fight the case on Abel’s side. Donovan loses
the case, but resolves to take the fight to the Supreme Court. Never
questioning whether Abel was indeed
a spy, Donovan develops into an empathizing lawyer,
who wants to see a “spy who was doing his duty for his country”, be shown leniency.
While Donovan succeeds in getting the death
sentence commuted to imprisonment, the essence lay in the logic of argument he
uses to convince the judge to keep Abel alive,
which eventually becomes a reality allowing a ray of hope for Abel to return to his country. Twist comes when an American
fighter pilot is captured by the Russians. What follows is a gripping and
intense drama that unfolds nervous moments and new developments that increases
the scope of the back-channel role that the US government entrusts Donovan with. The effort Donovan takes
to bring another young American college student detained in East Germany, shows
the strength of his character. What is the role that Donovan plays in the entire
episode? Does he succeed in his mission or does he aggravate the prevailing
condition for the worst?
Tom Hanks is God of such roles, impeccable and honest. He is very well
supported by Mark Rylance who is by no means a second fiddle to Hanks, but an
equal partner in all his scenes with the veteran. When Hanks asks him
repeatedly in the movie “Shouldn’t you be worried?” he answers as stoically as
one can, and every time, “Would that help”, carrying the dialogue with utmost conviction,
in what makes the audience appreciate the scene with teary giggle. He evokes a
sense of sympathy, akin to one you have for Tom Hanks in The Terminal.
Spielberg, like Hitchcock, knows how to set context through scenes. In an
opening scene where Hanks argues how an accident involving an accident involving
5 people, is just “one incident” and not “discrete set of 5 incidents”, manifests
itself later when dealing with the Russians.
Overall this movie is a great watch. Get hold of this movie at the
cinema halls before they bring it down.

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